North American Camera | What’s New
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Lens

WHAT'S NEW

What’s New

 Angenieux EZ 1-2 Zooms (Coming Soon)

Created to fill the wide gap between basic still photography zooms, and the highly acclaimed Optimo family of lenses used in the motion pictures industry, the Angénieux Type EZ series features two new lightweight zooms. Thanks to an innovative lens modular design (Interchangeable Rear Optics IRO technology™), both lenses allow the rear lens group to be exchanged between S35mm (up to 30mm image diagonal), and FF/VistaVision format (up to 46mm image diagonal). For the first time, ENG-style productions will get the flexibility necessary for run-and-gun shooting, combined with an excellence of image quality at an affordable price. Users can also easily change between PL, Canon EF and Sony E mounts.

 RED Epic-W

With superior image quality and best-in-class resolution, EPIC-W with HELIUM™ 8K S35 sensor allows content creators everywhere to deliver ultra-detailed still and motion images. EPIC-W’s 35 million pixels capture subtle features and tiny nuances that can’t be seen at lower resolutions. At 35.4 megapixels, that’s 4x more resolution than 4K-and over 17x more resolution than HD.

 SmallHD 703 UltraBright

This 7” 1920 x 1080 LCD provides a massive 2200 NITS of screen brightness making it possible to clearly view the image outdoors. This high brightness also makes it possible to preview HDR content. A unibody aluminum exterior keeps the monitor durable yet lightweight while also acting as a heatsink for the internal electronics. The LCD panel itself is protected by a layer of optically-bonded Gorilla Glass, notable for its transparency and toughness. Featuring the PageBuilder OS you can customize this monitor with a wide variety of tools to suit your shooting needs.

 Sony FS7 MKII

Expanding on the original FS7, Sony’s PXW-FS7M2 XDCAM Super 35 Camera System is a flexible 4K camera system. Designed as a camera that is at home on productions as diverse as “Cinéma Vérité”-style documentaries, reality TV, commercial, and corporate applications It features a Super 35mm sized sensor that allows you to capture images with cinematic depth of field. The camera incorporates a stronger locking mount, and allows you to use most 35mm lenses including PL, EF, via optional adapters.

 Red Weapon-Dragon 6K

Capture motion and stills in 6K 2.4:1 at up to 100 frames per second (fps), or 6K Full Frame at 75 fps, with the cutting-edge RED DRAGON® sensor—optimized for WEAPON®. Manufactured with ultra-lightweight carbon fiber—the WEAPON® Woven CF delivers a new level of intuitive control and ergonomic design. Our engineers packed the best aspects from EPIC and SCARLET®—along with numerous performance enhancements such as on-board Apple ProRes and Avid DNxHR/HD recording, as well as limited 3D LUTsupport—into a smaller BRAIN, completely redesigned for modular performance. Carbon fiber WEAPONBRAINs offer additional upgrade paths as sensor technology improves.

 ARRI ALEXA Mini

Compact, lightweight and self-contained, the ARRI ALEXA Mini is a versatile additional tool in the ALEXA camera range. Crews will find that the ALEXA Mini perfectly complements their ALEXA shooting kit, eliminating the complications of working with third-party cameras for specialized shots and keeping everything within a single system that is trusted all over the world.

SmallHD 1703 HDR 17″ Monitor

See beyond the restricted color and contrast of conventional monitoring with the SmallHD 1703 HDR 17″ Production Monitor. Featuring HDR preview backed by a 8-bit Color Intelligence engine with calibration capabilities, the 1703 can display a large brightness range, encompassing log formats and other expanded-range picture styles. The 1000 cd/m², daylight-viewable, 1920×1080 Full HD resolution display panel can be driven by one of two SDI inputs or an HDMI input. Each input has a loop output for connecting other gear in-line without the need for a splitter. All functionality of this monitor is accessed via the innovative Page Builder OS. By implementing full aluminum construction and the provision for separately available user-replaceable polycarbonate screen protectors, SmallHD built this monitor to survive the rigors of production in studios and in the field.

 Canon EOS C300 Mark II

The EOS C300 Mark II Digital Cinema Camera is an evolutionary 2nd generation Cinema EOS 4K camera system with a wide range of new and improved features including 4K/2K/Full HD internal and external recording (including 4K RAW output) and a new 10-bit Canon Log 2 Gamma. This powerful new camera also features an expanded dynamic range of 15 stops, improved Dual Pixel CMOS Autofocus, innovative focus assist engineering and CFast recording technology.
Canon 8.85 Megapixel Super 35mm CMOS Sensor
Dual DiG!C DV 5 Image Processors
Internal CFast 4K Recording Technology
Canon Log Gamma 2/ACES/REC. 2020 Support
Dual Pixel CMOS AF (Auto Focus) Technology
Canon XF-AVC Codec
Slow and Fast Motion Recording
Multiple Recording HD/2K/4K Modes
Fully Compatible with New and Existing EF-mount Lenses
Versatile and Refined Ergonomics
Ultra-High Resolution OLED EVF with Adjustable Viewing Angle

Canon EOS 5D MarkIV

The EOS 5D Mark IV camera builds on the powerful legacy of the 5D series, offering amazing refinements in image quality, performance and versatility. Canon’s commitment to imaging excellence is the soul of the EOS 5D Mark IV. Wedding and portrait photographers, nature and landscape shooters, as well as creative videographers will appreciate the brilliance and power that the EOS 5D Mark IV delivers. Superb image quality is achieved with Canon’s all-new 30.4 Megapixel full-frame sensor, and highly-detailed 4K video is captured with ease. Focus accuracy has been improved with a refined 61-point AF system and Canon’s revolutionary Dual Pixel CMOS AF for quick, smooth AF for both video and Live View shooting. Fast operation is enhanced with Canon’s DIGIC 6+ Image Processor, which provides continuous shooting at up to 7.0 fps*. Built-in Wi-Fi®**, GPS*** and an easy-to-navigate touch-panel LCD allow the camera to become an extension of you.

 SmallHD 502/Sidefinder

The Sidefinder is a fully featured HD viewfinder with a 5-inch flip-out 1080p display. It’s the union between the SmallHD 500 Series field monitor and a compact, patent-pending viewfinder accessory. The Sidefinder gives shooters all the benefits of using a field monitor AND an EVF, without compromising speed, agility, or quality of the image. The Sidefinder represents the highest resolution EVF and the highest resolution 5-inch on-camera monitor in one device.

 The Canon XC10 4K Camcorder

The Canon XC10 4K Camcorder features a compact, lightweight and versatile design for convenient 4K/Full HD video shooting and 12 Megapixel digital still photography. This all-in-one ergonomically convenient camcorder can satisfy a broad range of video and still production needs. The XC10 4K Camcorder is for everyone from next-generation advanced amateurs to professional 4K and HD videographers, from digital filmmakers needing a cost-effective 4K/HD “B” or “C” camera to multimedia journalists and news agencies seeking a 4K video camera. The XC10 4K Camcorder also appeals to the needs of cross media professionals in that it can also capture 12 Megapixel still images and provide 8 Megapixel stills extracted from 4K motion video.

 Cooke S4/i Mini Primes

The MiniS4/i Primes (T2.8 to T22 aperture) incorporate everything that today’s filmmakers ask for: smaller, lighter-weight lenses that offer the same resolution, optical quality and reliability as the S4/i lenses at T2.8 speed. With the speed of the new digital cameras, T2.8 is the new, economical T2.0. The Mini S4/i’s are interchangeable with the S4/i and 5/i lenses for shooting film and digital images up to and beyond a 4K resolution.

  EyeDirect MKII

Have you ever tried to interview someone, and have them maintain eye contact with the camera, only to have their eyes wander around ruining the shot? No more with EyeDirect MKII, the ingenious system that allows the interviewer’s face to be projected directly over the lens, allowing your subject to keep natural eye contact. Other than being easier to set up than a basic Teleprompter, the best part is it requires NO power! It’s a simple series of glass and mirrors that make the magic happen.

 Canon 11-24mm f4 Super Wide Angle Zoom

A truly versatile wide-angle zoom featuring an advanced optical design and constant f/4 maximum aperture, the Canon EF 11-24mm f/4L USM Lens is a member of the esteemed L-series of lenses designed for full-frame EOS cameras. One Super UD element and one UD element offer a significant reduction in chromatic aberrations while four aspherical elements help to minimize distortions throughout the zoom range and provide consistent edge-to-edge sharpness and illumination. Both SWC and ASC coatings have been applied to the elements in order to reduce lens flare and ghosting for increased contrast and color accuracy. Ideally suited for landscape and architectural photography, this lens covers ultra-wide to wide-angle perspectives and backs up its versatile zoom range with sophisticated optical components and intuitive handling.