Featuring a sensor slightly larger than full frame, the ALEXA LF camera records native 4.5K with ARRI’s best overall image quality. This allows filmmakers to explore the immersive large-format aesthetic while retaining the sensor’s natural colorimetry, pleasing skin tones and stunning capability for HDR workflows. Versatile recording formats, including efficient ProRes and uncompressed, unencrypted ARRIRAW up to 150 fps, encompass all on-set workflow requirements.
Offering a "Vintage" look, without all the problems of vintage glass, these amazing new 2x anamorphic primes offer amazing speed at T2, the 40mm, 65mm and 100mm feature a unified 114mm barrel design and modern mechanics suitable for all current production needs.
Now time-lapse and motion control shooting is easier and more efficient than ever. From the easy to use Android or iOS app, set all your parameters in no time, to create the stunning effects you want. Smooth silent operation also makes it extremely useful for interviews or other audio-critical situations.
The Angénieux Type EZ-1 and EZ-2 for S35mm cameras is a professional cinema zoom lens. Its focal range and aperture are set to 30-90mm T2 on the EZ-1 and 15-40mm T2 on the EZ-2. By exchanging the rear lens group, the EZ-1 becomes a 45-135mm T3 for FF/VistaVision format, and the EZ-2 becomes a 22-60mm T3 for FF/VistaVision. Available in PL, EF and E lens mounts and weighing only 4.7 lb. the lens features a precise and ergonomic focus ring with scale rotation of 300 degrees and luminescent FTZ markings for easy reading in the dark.