Powerful, portable, and adaptable, the Ultra 5 offers 3000 units of dazzling brightness, a locking power adaptor, an Ethernet port for camera control, plus a full suite of large, front-facing physical buttons for maximum control in all conditions. Experience all your favorite PageOS 5 tools, functions, and settings pages on a fully loaded 5-inch touchscreen monitor.
Transmit up to 1080p60 video from either an SDI or HDMI source. The zero latency transmitter/receiver pair features 3000′ line-of-sight transmission distance when used together. You can send and receive visually lossless 3G-video signals from a Bolt 3000 transmitter with zero latency. The transmitter features cross conversion, so you take an SDI signal in and loop out either an SDI or HDMI signal to your on-camera monitor.
The receiver includes built-in cross conversion and Teradek’s proprietary software utilities including a manual frequency selection tool, 3D LUT engine, and a 5 GHz spectrum analyzer to keep an eye on interference in your area.
The receiver also features both SDI and HDMI outputs, and the system supports digital SD and HD signals. Although the inputs and outputs support a variety of HD signals, in both 50 and 60 Hz standards, as well as 480i and 576i. However, 480p and 576p are only supported via HDMI. You can transmit up to three other receiver models such as the Bolt 2000, Sidekick II, or Bolt 703, and the transmitter can support up to four receivers. The built-in AES 128-bit encryption helps to keep your transmitted video safe from prying eyes.
Add the Teradek Array Antenna for improved performance all around.
The Bolt Pro 600 Video Transmitter is latency-free and wirelessly sends 4:2:2, 1080p60 video up to 600’ line-of-sight over the unlicensed 5 GHz band. It has both HD-SDI and HDMI inputs. It features an OLED display and joysticks for easy setup and pairing. Up to 4 receivers can be paired to a transmitter. Advanced image adjustments including 3D LUTs are supported.
Add the Teradek Array Antenna for improved performance all around.
5” 1920 x 1080 LCD display at 1000 NITS brightness, and 1000:1 contrast ratio makes this the ultimate on-camera monitor for bright environment work. Featuring SDI and HDMI inputs and outputs, SmallHD’s PageBuilder OS gives you all the professional tools you’ll ned to get the job done.
The Sidefinder is a fully featured HD viewfinder with a 5-inch flip-out 1080p display. It’s the union between the SmallHD 500 Series field monitor and a compact, patent-pending viewfinder accessory. The Sidefinder gives shooters all the benefits of using a field monitor AND an EVF, without compromising speed, agility, or quality of the image. The Sidefinder represents the highest resolution EVF and the highest resolution 5-inch on-camera monitor in one device.
The SmallHD 702 Bright is not only very bright (at a 1000 NITS) but also very sharp with a Full HD 1080p display and 1000:1 contrast ratio. Moreover, the LCD features optically bonded glass with anti-reflective coating. All this adds up to highly more accurate daylight visibility in high image quality, on a fairly large 7” screen.
In addition, the 702 Bright is housed in an aircraft grade aluminum unibody and has a slim and trendy design. The design also offers an industry-first battery support solution — dual integrated battery plates each support both Sony L-Series and Canon LP-E6 batteries. The 702 Bright offers HD-SDI and HDMI inputs and outputs, as well as a headphone jack for monitoring audio. It also has a store of monitoring features, including Waveform, custom LUT support, anamorphic de-squeeze, and audio meters. On top of everything, it runs on SmallHD’s Page Builder OS, which is designed more like a production assistant than an operating system. This system allows you to create up to 12 pages of favorite features and to toggle between these pages with the flick of the joystick button.
More resolution, less reflection, rugged and modern build, powerful processing, and intuitive interaction — these are the words that describe SmallHD’s well thought-out 702 Bright On-Camera Monitor.
SmallHD and Teradek have joined forces to create a wireless monitoring device that’s easy to see, easy to power, and easy to hold. Easily pair the 703 Ultrabright SK RX with Teradek Bolt 500, 1000, or 3000 transmitters. Equipped with a built-in wireless receiver and cutting-edge software tools like real-time 3D LUTs, the 703 Ultrabright SK RX t is the ultimate kit for any director.
The 7″ 1920 x 1080 LCD provides a sharp image, ideal for focus pulling and image analysis on set and in the field. Another advantage of the 2200 NIT high-brightness panel is the monitor’s ability to preview HDR content. HDR preview extends the display’s dynamic range to portray a greater range of brightness in the image.
The lightweight SmallHD Cine 7 Touchscreen On-Camera Monitor provides professional monitoring in a sharp 7″ display suitable for outdoor use. The Cine 7 can be connected directly to any ARRI or RED DSMC2 camera to control all major functionality of the camera via the on-screen touch controls. The Cine 7 supports up to UHD 4K HDMI output as well as various HD and SD formats via one full-size HDMI input, one HDMI output, one 3G-SDI input, and one 3G-SDI selectable input/output. The monitor also supports cross conversion from HDMI to SDI and from SDI to HDMI. The Cine 7 features a bright 1800 NIT LCD touchscreen with 3D LUT compatibility.
The Odyssey7Q+ features a 7.7″ 1280 x 800 OLED display with a 3400:1 contrast ratio and is equipped with advanced image analysis tools, including Vectorscope, Waveform, and RGB Parade. The monitor comes with a compressed ProRes codec included and also supports several high-speed RAW, compressed and uncompressed record options– (some sold separately). The 7Q+ also features HDMI recording resolutions up to 4K.
Cine 13 is an agile, brilliantly bright, and pixel-dense 4K production monitor designed for those on-set creatives who require critical focusing capability and a large display. Low-profile in design, this field companion can be rigged for almost any situation. And, weighing in at only 6.8lbs, the Cine 13 is making monitoring in 4K more portable than ever.
The Cine 13” 4K High-Bright Monitor boasts over 1500nits of brightness, ensuring an unobstructed look at your production in full sunlight without the need for a sunhood or viewing tent. The 13-inch screen has a 3840 x 2160 resolution and full 4K clarity, as well as 10-bit color depth for color-accurate images.
Cine 13 features four 12G SDI inputs and outputs as well as one HDMI 2.0 input. The Unibody Smart Chassis offers an Arca Slide on Rail for battery and accessory mounting, a lower mounting rail for ultimate flexibility, and 2x 2-pin accessory power outputs. Hot-swappable dual inputs feature Gold Mount battery plates.
The 17″ monitor that rivals OLED with Incredible color accuracy and daylight viewability. True 10-bit color depth can differentiate between 1024 levels of brightness, per channel, for smooth gradients essential for critical image analysis. While the LED backlight provides 900 cd/m² of brightness for viewing in daylight or brightly lit conditions, a special 100 cd/m² “studio mode” provides accurate brightness levels for light-controlled post-production environments.
Despite its many post-production friendly features, the 1703 P3X can tough it out in the production world with its milled aluminum body, RapidRail accessory mounting system, versatile power options, and a wide selection of monitoring tools. Having a color-accurate monitor on set means that directors, clients, or DITs can have a dependable reference display for nearly any kind of production.
The Panasonic BT-LH1850 18.5″ High-Performance HD/SD LCD Widescreen Monitor is a 1366 x 768 production
monitor with highly-useful features, a comprehensive set of connections, and superior quality output. The panel is ecofriendly,
with a mercury-free LED backlight drawing only 22W of power, less than half that of the previous LH model.
By SD SDI or video input, the LH1850 can display closed captions with support for both closed caption standards
(EIA/CEA-708 HD-SDI and EIA/CEA-608 SD-SDI). It can display up to eight windows simultaneously. A vectorscope
function can display all lines of an SDI input signal (Y/R/G/B). A pixel-to-pixel function can display input video without
resizing it. A still frame function can freeze a frame and display it as a sub-screen. A time code display shows the
value of the VITC, LTC or UB time code. And a simple cross hatch overlay can be displayed to check the tilt of a
camera.
A range of markers can be displayed in both 16:9 and 4:3 aspect ratios, including safe area, center, and aspect
markers (aspect = 4:3, 13:9, 14:9, CNSCO 2.39, CNSCO 2.35, 2:1, and VISTA in 16:9 mode). For audio monitoring, a
color audio level meter shows the input level of embedded audio. The LH1850 also features a waveform monitor for
R/G/B signals and a 3D look-up table that produces authentic color hues and smooth gradation along with quickresponse
motion images.
The Panasonic BT-L2150PJ 21.5″ LCD Production Monitor is a professional broadcast monitor that will fit well into
a variety of production environments. At 21.5″ diagonal, it’s plenty large for critical monitoring tasks and can be
mounted on a wall or placed on a desk (it features both a 100 x 100mm hole pattern and an included tilt stand).
The full-HD (1920 x 1080 resolution) BT-L2150PJ offers a variety of input options, including dual HD/SD-SDI ports for
connecting two different sources, plus HDMI and BNCs for component and composite video. The monitor offers a
laundry list of professional features, such as tally lights, blue-only display for calibration to color bars, aspect & center markers, and a GPI input for remote control.
The BT-L2150PJ also supports 24PsF signal input, making it suitable for reviewing sequences for digital cinema
production. With 1000:1 contrast and 16.8 million colors, the monitor will satisfy the critical eyes of seasoned
professionals.
Cine 24 brings 4K monitoring everywhere. 1350nits of sustained brightness enables clear viewing in bright daylight environments, which eliminates the need for a sun hood or viewing tent. Small4K™ Video Processing Architecture offers a total 4K Input / Output workflow with 4x 12G-SDI hardware and PageOS 4 Quad-View* for multiple 4K-input viewing. Lightweight for faster setup & teardown, this monitor is the all-around solution as a director’s monitor or for production & broadcast video villages. Cine 24 is SmallHD’s ultimate production workhorse.
Product Highlights
Ronin has been the industry standard for camera stabilization for over a decade. The latest from DJI features enhanced operation efficiency, native vertical shooting, and an expanded accessory ecosystem that make the DJI RS 4 Pro a powerful tool for all levels of video production. The gimbal only weighs around 2.74 lb and sports a load capacity of 10 lb capable of supporting your compact camera build. We will offer the RS4 Pro in 3 tiers: Basic, Production and Cinema based on the needs of your production.
Now time-lapse and motion control shooting is easier and more efficient than ever. From the easy to use Android or iOS app, set all your parameters in no time, to create the stunning effects you want. Smooth silent operation also makes it extremely useful for interviews or other audio-critical situations.
Weaver-Steadman 2 Axis
Weaver-Steadman 3rd Axis
Oconnor 2575C (Mitchell)
Oconnor 2575D (Mitchell)
Oconnor 1030Ds Fluid Head (100mm)
Oconnor 1040 Fluid Head (100mm)
Sachtler 30 II 7+7 (150mm)
Sachtler Video 18 S1 (100mm)
Bogie Swing Head
Cartoni C-40 Dutch Head
Standard Metal Legs
Baby Metal Legs
Triangle
Hi-Hat
Tri-Hat (Mitchell)
Low-Hat (Mitchell)
Standard Carbon Fiber Legs (100mm)
Baby Carbon Fiber Legs (100mm)
Ronford Style Quick Release Plate
Denz Universal Angle Bridgeplate
Arri Hand Held System
Cinesaddle
EasyRig Vario 5 w/5” Ext. and Gimbal Vest
EasyRig Vario 5 w/9” Ext., STABIL Arm and Gimbal Vest
The CINE RT SYSTEM re-imagines camera-mounted rangefinder systems and uses cutting-edge computing solutions to provide camera assistants with innovative user modes and functions. Precision clocking and high sampling rates ensure continuous accurate measurements, while proprietary algorithms offer an exceptional balance of sensitivity and stability.
Relentlessly tested by working focus pullers, the CINE RT SYSTEM has been honed to deliver optimal utility and functionality in the field. The CINE RT SYSTEM is a complete ultrasonic measuring ecosystem, designed and hand-built in Vancouver, Canada by industry professionals who understand the demands of camera assisting in contemporary motion picture and television production.
The new ARRI Hi-5 is the most sophisticated hand unit on the market, providing reliable wireless camera and multi-axis lens control. Weatherproof and solidly built, it features an exceptional radio link via swappable module, a high contrast touch screen LCD, smart focus rings, full Focusbug integration, and endless customization options.
Compatible with all ARRI cameras, as well as select RED, Sony, and Canon camera systems.
Arri Micro Follow Focus MFF-1
Arri FF3 Studio Follow Focus
Arri FF4 Universal Follow Focus
CTRL.1 is a lightweight, ergonomic single-axis lens controller with lens mapping and data storage. Paired with any SmallHD monitor running Pagebuilder OS3, CTRL.1 displays critical lens data as overlays directly on the monitor, allowing camera assistants to pull focus while keeping their eyes on the image.
CTRL.3 is a feature-rich 3-axis wireless controller with lens mapping and data storage. Paired with any SmallHD monitor running OS3, CTRL.3 displays critical lens data as overlays directly on the monitor, allowing camera assistants to pull focus and keep eyes on the image. Also includes Bluetooth for remote configuration via the RT iOS App.
This small and lightweight infrared rangefinder provides constant distance measurements between objects and the camera’s focal plane. Connect your TOF.1 to an MDR.X Lens Control Receiver to provide distance readouts on CTRL.1 or CTRL.3 wireless handheld controllers. TOF.1 features an IR sensor array that can detect objects within a line-of-sight distance up to 80ft. An included detachable Laser Sight can be centered to the sensor’s field of view to achieve pin-point accuracy.
(CTRL.1 or CTRL.3 REQUIRED)
6.6×6.6, 5×5, 4×5.650, 138mm, 4.5″, 40.5mm
See the Request Form for specifics
The PT3500 teleprompter system is designed for professionals needing to work quickly and efficiently in the field or studio.
Featuring solid aluminum and steel construction, The PT3500 is a durable yet lightweight compact 15” teleprompter kit. The foundation is a 15mm Rod base system, which allows for simple height adjustments and a folding glass frame that makes it easy for you to set up and travel.
Features:
Ikan’s professional teleprompter series is designed for a quick and easy setup to work efficiently in outside broadcast applications or professional studios. The lightweight aluminum teleprompter has multiple 3/8-16″ and 1/4-20″ for mounting to a pedestal. The high quality 70/30 made in America teleprompter glass provides the perfect balance of reflection and pass-through without distorting the image. With 1000 nits the prompting image will always be crisp and visible whether you’re under the sun or studio lighting. This professional teleprompter includes three different camera mount bases ranging from DSLR to full-sized Digital Cinema.
Features:
Eartec UltraLITE HD are revolutionary headsets that eclipse all other full duplex systems for performance and convenience because the transceiver is built right inside the ear cup. This self-contained, “All in One” design eliminates wires and belt-worn radios. UltraLITE intercoms provide instantaneous wireless communications for crews that need to communicate without pushing buttons. At the heart of these systems is a specialty base or “MAIN” headset that relays the digital signals generated by up to four “Remote” units. The resulting open-line talking pattern allows up to 5 people to talk simultaneously so they can continue working with their hands. For groups over 5 users, the Eartec HUB is added to allow for up to 8 simultaneous users. Connect two HUBs together to create a network of up to 16 users. Long-lasting lithium Ion batteries, and up to a 1000’ Line of Sigh range make these perfect for video production applications.
Denz 16mm PL Director’s finder
Fries 35mm PL Director’s finder
Sliding Base Plate (19mm)
SR-3 Extension Eyepiece
Eye Piece Leveler
SR-3 Shoulder Pad
Shoulder Set w/2 Handgrips & Pad
Oppenheimer Zoom Handle
Slate (Non-Timecode)
Arri Time-Code Cable
On-Board Work Light
Weather Cover
Changing Bag
Magliner Gemini Sr.
Magliner Gemini Jr
Chromatte Studio Green/Blue Screen 13′ x 16′
ChromaFlex Portable Green/Blue Screen 7′ x 7′
BaseMatte Green/Blue Screen Floor Mats 4′ x 6′
CE Film/Video Synchronizer Unit
Cine Check Speed Checker
Microforce V+F Zoom Controller
Extension Cable for Microforce
Heden Zoom Motor & Bracket
Arri Heated Eyepiece
Low cost miniature 3G/HD/SD-SDI 4 to 1 Quad Split Multiviewer or Down-converter with 4 to 1 input multiplexer. Your choice of either a NTSC or PAL output 4 x 3G/HD/SD-SDI inputs with auto detection (26 Formats supported in total) All 4 inputs or a selected input displayed on a single Composite and SD-SDI output Low latency buffering for each input allowing non-synchronous inputs Each quadrant is independent of the others, allowing any 3G/HD/SD format of any frame rate to be displayed simultaneously Variable aspect ratios per quadrant Size is 3.7″x3.7″x0.9″ or (94mmx94mmx23mm)
Stop going in circles with old technology, the Prodigy uses pressurized air traveling at over 300 mph to instantly clear the frame for a clear shot. The special piece of glass is optically clear with no effect on image quality or exposure and has excellent impact resistance. With perfect vision, you’ll never miss a moment. From live events, sports, documentaries, and feature films – capture anything in any weather. The Prodigy can handle the toughest of conditions from rain, snow, saltwater, dust & debris. Never let bad weather or challenging wet shooting conditions stop you from getting the shot ever again!
Arri MB-14 6.6×6.6 – 4 Stage Matte Box
Arri LMB-4M 6.6×6.6 – 3 Stage Clip-On
Arri LMB-15 4×5.650 – 3 Stage Clip-On
Bright Tangerine VIV/Strummer 4×5.650- 3 Stage Swing Away Matte Box
Bright Tangerine Misfit Kick 2-Stage 4×5.650 Clamp-On
Arri MB-19 4×5.650- 2 Stage swing Away Matte Box
Arri MB-20 4×5.650-3 or 4 Stage Swing Away or Clamp-On
Horiz. Step-Down Tray 6×6 to 4×5.650
Vert. Step Down-Tray 6×6 to 4×5.650
Ultra Wide Sun Shade (4.5 Round)