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DIGITAL CINEMA

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 Digital Cinema

 ARRI ALEXA Mini

Compact, lightweight and self-contained, the ARRI ALEXA Mini is a versatile additional tool in the ALEXA camera range. Crews will find that the ALEXA Mini perfectly complements their ALEXA shooting kit, eliminating the complications of working with third-party cameras for specialized shots and keeping everything within a single system that is trusted all over the world.

The Canon XC10 4K Camcorder

The Canon XC10 4K Camcorder features a compact, lightweight and versatile design for convenient 4K/Full HD video shooting and 12 Megapixel digital still photography. This all-in-one ergonomically convenient camcorder can satisfy a broad range of video and still production needs. The XC10 4K Camcorder is for everyone from next-generation advanced amateurs to professional 4K and HD videographers, from digital filmmakers needing a cost-effective 4K/HD “B” or “C” camera to multimedia journalists and news agencies seeking a 4K video camera. The XC10 4K Camcorder also appeals to the needs of cross media professionals in that it can also capture 12 Megapixel still images and provide 8 Megapixel stills extracted from 4K motion video.

  Sony FS7 MKII Camera Package

The Sony FS7 MKII Super 35 Camcorder with 18-200mm Lens is a fully professional large-sensor video camera. Hot on the heels of the FS100, this compact, highly modular camera uses a very similar-sized Super 35 CMOS sensor as the FS100. But as a marked improvement over that earlier model’s sensor, the FS700 features a native 4K resolution sensor.

Unlike smaller, broadcast-style sensors or the larger “full-frame” sensors of some DSLRs, the Sony FS7 MKII’s imaging area matches that of standard Hollywood film cameras, providing complete compatibility with cine-style film lenses as well as the Sony 18 – 200mm lens included with the camera (that’s 27 – 300mm in terms of 35mm equivalence). The sensor’s large size offers a variety of other advantages, including increased control over depth of field, higher sensitivity in low light, lower image noise, and an exceptional dynamic range.

Able to shoot full 1080p video in a range of frame rates up to 60p, the FS700 provides the option of recording AVCHD footage onto SD card/MemoryStick or via the FMU (flash memory unit) port, or it can output 4:2:2 video (with embedded timecode) via HDMI 1.4 or 3G/HD-SDI to an external recording unit. Simultaneous recording to both is also possible when instant backup is called for. There’s no stinting on audio, either, as the camera includes not only a shotgun microphone with mount/carrying handle, but dual XLR inputs for recording uncompressed, professional-level sound from an external source.

One unique feature for a camcorder of this class is the FS700’s ability to record bursts of super-slow motion video at rates up to a whopping 960 fps. (These bursts range from 8 to 16 seconds, depending of the frame rate). Full-resolution recording is possible at up to 240 fps; at 480 and 960 fps, resolution is reduced.

  Canon 5D MkIII

The Canon EOS 5D Mark III Digital Camera is a full-frame 22.3MP DSLR featuring exceptional still image and movie recording capabilities. Integrating Canon’s new DIGIC 5+ Image Processor and 14-bit A/D conversion, this camera is able to produce superbly detailed imagery with immense low-light sensitivity that is further aided by an extended ISO range up to 102400. The 5D Mark III is also capable of recording full HD video with manual exposure control and in multiple frame rates, including 1080/30p and 720/60p. Still images can also be recorded up to 6fps. Full HD video recording is supported in multiple formats, including 1080/30p, 24p, 25p; 720/60p, 50p; 480/30p, 25p. While recording video, a 4GB automatic file partition is employed in order to gain longer continuous recording times, up to 29 minutes 59 seconds. Both All i-frame and IPB compressions are supported as well as the standard H.264/MPEG -4 AVC codec. Embedding the time code is also possible for greater convenience when recording with multiple cameras.Video performance is further enhanced with the ability to manually adjust your exposure settings and audio levels while recording.

Sony PMW-F3

The PMW-F3 is equipped with a newly developed Exmor Super 35 CMOS image sensor which offers creative shallow depth of field, similar to that of a film camera. This sensor has an extremely high sensitivity of F11 (ISO800) with a very low noise level (an S/N ratio of 63 dB). This is a significant advantage especially when shooting in low-light conditions or at night using only ambient light.

The PMW-F3 employs a PL lens mount that is standard for film cameras, allowing use of a virtually unlimited number of prime and zoom lenses for 35-mm film cameras. This greatly broadens the choice of lenses for a wider spectrum of creative expression. A PL lens mount adapter comes with the camera as standard. The PMW-F3 supports the Cooke/i Technology protocol, which enables the camcorder to communicate with the lens to obtain lens metadata such as focus and iris position. The ARRI LDS interface will be supported as well. This improves post-production workflow as lens metadata can be recorded onto an SxS card and brought into the post-production process. The recording format and recording media are identical to the existing PMW-EX1R and PMW-EX3, and proven, high-speed, intuitive XDCAM EX workflow can be used with high reliability. This workflow offers seamless integration with leading nonlinear editing software. The PMW-F3 has a small, compact body with a very modest footprint, and weighs just 2.4 kg (5 lb 4 oz). It offers mobility, flexibility, and cost efficiency. In addition, the camcorder’s power consumption is only 24 W, and about three hours’ recording can be achieved with only one BP-U60 battery.

The PMW-F3 has an HD-SDI Dual-link output connector which offers 4:2:2 1080 50/59.94p uncompressed signal output as standard. By using external recording devices such as HDCAM-SR recorders, users can achieve x 2.5 natural slow-motion playback in 1080/24p mode. The PMW-F3 delivers a scalable external recording solution. When the RGB and S-LOG output option is added, RGB 4:4:4 baseband signal output is available for external recording devices such as HDCAM-SR recorders. A LUT (Look Up Table) function is also provided for monitoring purposes when S-LOG output is activated. The same option includes 3G-SDI output functionality. It enables users to select Dual-link HD-SDI or 3G-SDI depending on the connecting devices. Another new feature of the PMW-F3 is the 3D-LINK option which is especially convenient for 3D stereoscopic shooting. Two PMW-F3 cameras can be controlled by one camera remote controller at the same time. The two cameras are connected with a special 10-pin cable that includes genlock, timecode in/out, and control line. Simultaneous control of the Iris and Focus functions of two cameras is extremely useful .

Canon EOS C300 Mark II

The EOS C300 Mark II Digital Cinema Camera is an evolutionary 2nd generation Cinema EOS 4K camera system with a wide range of new and improved features including 4K/2K/Full HD internal and external recording (including 4K RAW output) and a new 10-bit Canon Log 2 Gamma. This powerful new camera also features an expanded dynamic range of 15 stops, improved Dual Pixel CMOS Autofocus, innovative focus assist engineering and CFast recording technology.
Canon 8.85 Megapixel Super 35mm CMOS Sensor
Dual DiG!C DV 5 Image Processors
Internal CFast 4K Recording Technology
Canon Log Gamma 2/ACES/REC. 2020 Support
Dual Pixel CMOS AF (Auto Focus) Technology
Canon XF-AVC Codec
Slow and Fast Motion Recording
Multiple Recording HD/2K/4K Modes
Fully Compatible with New and Existing EF-mount Lenses
Versatile and Refined Ergonomics
Ultra-High Resolution OLED EVF with Adjustable Viewing Angle

RED Epic-X

The Epic-X is RED’s latest next-gen 5k resolution camera. Capturing progressive images in 5k to 2k resolutions, and at speeds up to 300 FPS (2k). The camera’s modular design, makes it easy to configure for your particular needs. From light-weight handheld, to fully tricked-out studio setup, the Epic-X is extremely versatile. The single 14 megapixel Mysterium-X CMOS sensor comes standard with a PL lens mount, but can also accept a 2/3″- B4 lens mount adapter for 2k recording with your favorite ENG HD lenses. Record to RED’s rugged 128GB SSD Redmags for worry-free data acquisition.

  • RED Epic-X Camera Body with PL mount
  • RED DSMC Side Handle w/Redvolt batteries-charger
  • RED Rail System and Handles
  • RED 5.6″ Touch Screen Monitor
  • RED Station Card Reader
  • (4) Batteries w/Charger
  • (2) RED 128GB SSD
  • AC Power Supply

Sony PMW-EX1

The Sony PMW-EX1 XDCAM EX utilizes three newly designed 1/2-inch type “Exmor”™ CMOS sensors, each with an effective pixel count of 1920 x 1080. Coupled with newly developed signal processing, this camera produces truly exceptional images in 1080p, 720p and 1080i HD. Using another new Sony innovation, the SxS Memory Card flash memory device, very high data transfer speeds are also made possible in order to enhance the High Definition content creation workflow. Utilizing the MPEG-2 Long GOP CODEC to achieve a balance of quality and the required bit rate, you can now record approximately 140 minutes using two 16GB SxS Memory Cards in SP mode and 100 minutes in HQ mode. Additionally, the PMW-EX1 offers a powerful Slow & Quick Motion feature, or what is more commonly known as “over-cranking” and “under-cranking”, to enable users to create slow and fast motion special effects.

  Panasonic AG-HPX370

With an advanced 1/3″ 2.2-megapixel 3-chip imager featuring Ultra Luminance Technology (U.L.T.), the HPX370 delivers exceptional video performance for master-quality HD production. The shoulder-mount camcorder offers 10-bit, 4:2:2, full 1920 x 1080-resolution AVC-Intra recording, 2x P2 slots for dependable recording and an interchangeable Fujinon 17x ENG HD zoom.

  Phantom HD Gold

The Phantom HD GOLD allows you to select any frame rate from 1 to 1,000 fps in increments of one frame-per-second at HD resolution. Shift the frame rate a little and move the scene to a slightly future viewpoint. Or shift the frame rate a lot and move the scene to some long passing moment in time. With the Phantom HD GOLD camera’s shutter, variable to 1/500,000 second, and radically adjustable framing rates, you have seamless control of the duration, speed and time of a story element.

The Phantom HD GOLD is available with 8, 16 or 32 Gigabytes of internal memory. But this is just the start of methods we provide to store your work. Take advantage of the hot-swappable non-volatile solid state recorders — our Phantom CineMags. These low profile modules mount snugly to the top of the camera body and store 128, 256 or 512 GB each. When one of these storage magazines is filled, the Phantom CineStation allows downloading of the images to a PC running the Phantom software application.

  Canon C300-EF

Featuring a unique Super 35mm Canon CMOS sensor, revolutionary Canon DIGIC DV III Image Processor and 50 Mbps 4:2:2 codec, the EOS C300 provides outstanding cinema quality movie capture.
The EOS C300 has a Canon EF lens mount and is compatible with all of Canon’s new EF Cinema lenses and current EF lenses. Designed with SMPTE HD production standards, its MPEG-2 codec is an internationally recognized standard compatible with major NLE applications while additional features such as Canon Log ensure seamless integration with existing production workflows, making post-production easy. Modeled on the Super 35mm 3-perf motion picture film standard, the Canon CMOS sensor has an active image size of 24.4 x 13.5mm (3840 (H) x 2160 (V)) and incorporates the first Canon CMOS sensor designed specifically for high frame rate motion pictures, offering not only high resolution and shallow depth-of-field but also high sensitivity with low noise. Working together, Canon’s Super 35mm sensor and DIGIC DV III Image Processor achieve a remarkably high signal-to-noise ratio that enables recordings with great detail and dynamic range even in minimal light.

  GoPro Hero 3-Black Edition

The GoPro HERO3: Black Edition Camera is smaller and lighter than its predecessor. It’s also Wi-Fi enabled. The HERO3 is designed for recording action sports and it comes with a rugged housing that is waterproof down to a depth of 197′ (60 m). The camera captures 4K Cinema, 2.7K Cinema, 1440p and Full HD 1920 x 1080p videoas well as 960p, 720p and 480p. It supports NTSC and PAL, and it can record up to 240 fps. For still images, the HERO3 supports 5, 7 and 12-megapixel photos.

  Panasonic AG-HVX200P

The Panasonic AG-HVX200 is a handheld DVCPRO HD P2 camera-recorder designed to meet emerging needs in HD content production. It debuted as Panasonic’s first HD video product to use P2, the cutting-edge solid state memory recording device that has revolutionized the entire production paradigm. The AG-HVX200 records HD, either 1080i or 720p video acquired by a new optical system and high-performance digital signal processor onto a P2 card using the broadcasting DVCPRO HD codec. This system achieves a level of image quality that conventional handheld HD cameras simply cannot match, while also supporting HD/SD multi-format and multi-codec recording capabilities.

Variable frame rate recording is just one of the features that makes the AG-HVX200 unique in its class. Using technologies that make the Panasonic VariCam camera-recorder a favorite in movie production, this powerful function allows the overcranking and undercranking techniques used with film cameras to create fast-motion and slow-motion effects. The P2 card offers superior reliability, immediate playback and outstanding cost-performance. It allows direct connection to nonlinear editing systems and streamlines the production work flow, by providing to the editing system data files ready to be edited, rather than a video tape which would require the task of digitizing.

On top of all its advanced features and technologies, the AG-HVX200 inherits the refined design and easy operation that distinguishes Panasonic’s high-value DVX100 DV camera series. In the AG-HVX200, video professionals of all kinds will find a powerful tool for giving form to their creative visions.

ARRI AMIRA Premium

ARRI AMIRA Premium, a versatile documentary-style camera that combines exceptional image quality and affordable CFast 2.0 workflows with an ergonomic design optimized for single-operator use and extended shoulder-mounted operation.
• Same 35 mm sensor as ALEXA
• 4K UHD 3840×2160 (with license), 2K 2048 x 1152; HD 1920×1080
• Log C & Rec 709
• ProRes recording up to 4444 on CFast 2.0 cards
• Dynamic range of 14+ stops
• Natural colors and skin tones
• Up to 200 fps – full sensor area

Sony PMW-F5 CineAlta

For incredibly vivid HD, start with the 4K imager of the Sony F5. You’ll get superior, super-sampled pictures with noticeably higher contrast, rich color reproduction and greater clarity. The F5 offers robust internal recording modes, all with vibrant 4:2:2 color. Options include the amazing precision of 16-bit linear RAW 2K/4K recording and high speed 2K RAW at up to 240 fps without cropping.

 RED Epic-W 8k Helium

With superior image quality and best-in-class resolution, EPIC-W with HELIUM™
8K S35 sensor allows content creators everywhere to deliver ultra-detailed still and motion images. EPIC-W’s 35 million pixels capture subtle features and tiny nuances that can’t be seen at lower resolutions. At 35.4 megapixels, that’s 4x more resolution than 4K-and over 17x more resolution than HD.

  Arri Alexa Plus

ALEXA is a compact, lightweight and affordable digital camera that will redefine the limits of motion picture capture with ultra-fast workflows and image quality akin to 35mm film. From major motion pictures and high end dramas to commercials, music videos and mainstream TV, ALEXA suits a wide variety of applications and budgets. More than just a camera, ALEXA represents an entire image pipeline. By combining proprietary ARRI technology with ubiquitous tools from industry-leading partners, ALEXA stands alone as the most complete and powerful digital production system ever built.

ALEXA is unique in that it can simultaneously record Apple QuickTime/ProRes files, output uncompressed HD video or uncompressed ARRIRAW data. This output versatility makes it ideal for a myriad of productions and workflows from telenovellas to feature films.

As the best recording media for the QuickTime/ProRes files, ARRI has chosen SxS cards because of their high data throughput. Two SxS cards fit into a module on the camera’s left side for convenient on-board recording and are hot swapable. Two outputs which can be configured to 3G or 1.5G HD-SDI deliver an uncompressed high definition video stream with various options such as recording in 4:2:2 or 4:4:4 and ITU Rec709 or Log C tone mapping and color matrixes.

The two recording links can alternatively be used to output the ARRIRAW T-link signal, which can be recorded by a number of certified third party on-board recorders. ARRIRAW is the only way to access the full potential of ALEXA’s sensor which has color and dynamic range capabilities far beyond standard HD. ARRI’s own ARRIRAW Image Converter (ARC) provides image reconstruction features for the Windows, LINUX and Mac OS platforms. As a result of long term corporate initiatives with key development partners within the ARRIRAW Partner Program, a number of post production tools can now natively work with ARRIRAW files.

These output formats are well established standards that integrate the cameras seamlessly into the existing HD infrastructure.

 RED Weapon-Dragon 6K

Capture motion and stills in 6K 2.4:1 at up to 100 frames per second (fps), or 6K Full Frame at 75 fps, with the cutting-edge RED DRAGON® sensor—optimized for WEAPON®. Manufactured with ultra-lightweight carbon fiber—the WEAPON® Woven CF delivers a new level of intuitive control and ergonomic design. Our engineers packed the best aspects from EPIC and SCARLET®—along with numerous performance enhancements such as on-board Apple ProRes and Avid DNxHR/HD recording, as well as limited 3D LUTsupport—into a smaller BRAIN, completely redesigned for modular performance. Carbon fiber WEAPONBRAINs offer additional upgrade paths as sensor technology improves.